RUG BLOG - Lavender Oriental Carpets

Going for Baroque?

French Baroque Silk Damask Textile 2.1 by 5.2 17th Century Going for Baroque? Everything is dramatic. Think Caravaggesque paintings. Sculpturesque carved furniture. Everything is designed to impress. This textile, originally a section of a longer bolt, displays more than one repeat of a bold, complex cartouche and acanthus pattern in yellow-ochre and raspberry-red. The twisting foliage makes it three dimensional. What a great wall piece! You don’t have to be fluent in art history or in the language of period decoration to appreciate this eye-catching object. It is a full loom width and in good condition. And the furnishing context can

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Feeling Like A VIP?

Bakhtiari Khan Carpet 11.10 by 18.2 Early 20th Century Feeling like a VIP? Like a person of importance? Maybe this mansion-size antique Persian carpet with a white field and an inscription indicating it was woven in the early 20th century for an oil-rich tribal ruler is for you. The cypresses and vase at the lower end usher one into a spring garden (on your estate?). Out of the vase and from thin flanking plants a verdant array of spring flowers explodes upwards in a directional pattern. Saturated greens yellows reds and blues detail the dense scatter fill of floral devices.

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Bigger is Better

Aubusson Mansion Size Carpet 19.7 x 48.0 Bigger is better. How big? This 19th century French tapestry weave carpet is an elegant necessity for the grandest of salons. Of course, you  have one. The design is cleverly adapted from 18th century carpets, generally more square in format. The burgundy red retains its original chatoyance and the secondary tones are appropriately mellow. Try it with something not French frou-frou furniture, something hard edged, something heavy metal. It works. Now this is a special rug! Clearly it was a special commission when new. The room for it must have been 25  x

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Gabbeh Rugs

Gabbeh rugs in colorful, totally abstract styles, are a recent innovation and one of the best things to happen to the oriental rug in a long time. What can be bolder than a plain orange diamond medallion set on an equally undecorated slate reserve, further set within abrashed red triangular corners? How informal and yet how rigorous in the best design sense. ‘Gabbeh’ mean ‘unclipped’  and antique Persian tribal examples have a shaggy pile in natural sheep wool tones, but modern pieces are more compact with shorter, erect piles. These pieces are totally abstract and value impact over ornament. The

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CONSERVATION

It’s always interesting to learn about conservation or restoration. Restoring any antique is a specialized job and requires knowledge of the item, together with an understanding of the restoration process and as to what can and cannot be achieved. Lida Lavender brings her wide knowledge of the subject, to this field. She has a team of experienced restorers both in the USA and overseas and she knows where the best results will be obtained. During the process and depending on the extent of the repair, Lida will keep a close eye on the progress and her eye for detail, will

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High – Low Combo Rugs

Let’s take a look at the increasingly popular high-low, high and low, high-low contrast, high-low monochrome, multiple level, multiple technique; lots of high-low carpets, and all attempt to be totally au courant. Depending on the material used they should be within a budget that would allow most people to include in their interior design. But this carpet is much more than a mere high-low textured piece. Here the look of the front is significantly driven by the look of the back. It really is not a bi-colored rug at all and this is partially, at least, the doing of the

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Vintage Navajo Rugs

Vintage Navajo Rug   Navajo Flat Weave Rugs Antique Navajos are usually in scatter sizes and larger, room size pieces are both extremely rare and highly desirable . As perpetually fashionable as they are collectible, traditional Navajo rugs, skillfully woven by members of the Native American Navajo tribe, are similar to Kilims and constructed using similar time-honored techniques. The native American Navajo tribe of New Mexico and Arizona was originally weaving wearing blankets in the early 19th century, but when they became settled on the reservation they switched to rugs inspired by Caucasian pieces made available by the local traders.

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Indoor and Outdoor Carpets

Indoor and outdoor carpets Diamond and Others In order to better integrate indoor and outdoor settings, we offer modern uncomplicated, abstract monochromes that go anywhere in their design while being totally appropriate in their make-up. The outdoor carpets are synthetic, made from recycled polyethylene, in three distinct levels. The lowest level is a weft-faced flatweave, and there are two upper levels of high and still higher pile forming a monochrome horizontal geometric pattern of floating diamonds, zig-zags and solid bands. There are four colorways at present. The synthetic has a wool-like tactility, but, in fact, is made of recycled plastic

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Silver Silver? Silver!

Silver for jewelry. Silver for cutlery. Silver for rugs? What is a silver rug or a silver-toned rug? Silver is not a spectral color, indeed not a color at all, at least in the usual optical sense.  Not white, not grey, not even platinum.  Silver is cool, the color of the moon, as gold is of the sun.  Silver metallic thread appears only rarely in rugs,  and on nothing modern. Let us consider what a silver rug ought to be. Reflective, or at least patinated. Silver surfaces are perfect, so texture is only a minor concern. Keep it smooth. If

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Interesting Write Up On an Ikat Rug

This carpet, which can be ordered in custom sizes, is even more interesting than it looks! First, consider the high-low effect. Not just any high-low, but a ridged granularity following the warps. While the vast majority of old and new carpets knot on every warp, this unusual type leaves a center warp free between pairs of knots. We can see this clearly on the back where pairs of knots cover four warps but leave one continuous column uncovered. This result is a broad ribbing effect on the front, perpendicular to the rows of knots. Then there is abrash. Wow! All

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